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So you light up the places or people that you're shooting, which creates a stage effect, like the subjects are in a performance. People are used to this dark space and I went in there with a pop flash. "The Factory is this dark place with strategic lighting. Some had restrictions - only face, only body, never together - but many didn't.
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However, by the third shoot guys at The Factory had become interested and agreed to be photographed. Thinking he'd have to pay all the time for subject matter, he wasn't envisioning many shoots on that budget. He's still laughing at the irony of him paying for the two rent boys he photographed at The Factory with NAC money. He didn't think they'd fund it, but they did. He then presented a proposal to the National Arts Council for an art project exploring bareback sex in clubs. "I mean, fuck, you could get blown for R50 - cheap and cheerful," says Maart. He followed two rent boys around for the night, recording their adventures. The project started when Maart, by fluke, had a digital camera at the old Shaft.
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However, what started as an investigation of sex became an investigation of loneliness and the emotional bonds that are formed in this non-verbal environment. In his recent exhibition, the recognised South African photographer turned his dreamy eyes onto the underbelly of gay sex clubs - The Factory in Doornfontein in particular. Brenton Maart is a self-proclaimed romantic - "however uncool thatis to say".